Similar to the introduction of technologies such as video and cable TV, the arrival of new audiovisual technology (4k, HRD, new post-production tools, etc ) with relation to documentary filmmaking brings with it both huge potential and huge uncertainty.
Historically, documentary makers have been the leading innovators in driving film technology forward in order to overcome filming in difficult situations outside of the studio and to better convey actuality to the audience (McLane, Betsy A. Project: The impact on new digital technology in documentary In particularly, it focuses on three very different contexts with varying levels of user engagement: the performing arts, medical recovery and classroom learning experienceĮxpected outcomes: 9 peer-reviewed article, 2 Master thesis, 2 PhD thesis, 2 workshops and 1 masterclass. The project aims to explore both the utilitarian and artistic properties of the sonic medium as an agent for social interaction, coming from a background of science and technology of the arts. The sonic aspects of interaction design are well studied, but outside academia, sound has been a neglected medium, with creators seldom aware of the extent to which it affects user experience.
Project: Sonic Interaction Design (sponsor by Fundação Calouste Gulbenkian) The CCD already incorporates a state-of-the-art infrastructure that has enabled and continues to provide an unique environment and support facilities for the development of an increasing number of artistic, research, public and business projects and events in its areas of activity. In the case of the CCD project goal is to enable it in the area of digital media. The objective of the project is to strengthen the technical-scientific training of high-impact research infrastructures inserted in the National Roadmap for Research Infrastructures of Strategic Interest, allowing them to constitute a strategic pillar in the development of research of excellence at national and international level. The Digital Creativity Center (CCD) is a production infrastructure using state-of-the-art, state-of-the-art technologies, with certification attributed by leading brands in the audiovisual industry (such as Apple, Avid and Autodesk). These products will have a clear mobilizing effect on other important sectors of culture, such as cultural heritage, archives, books and publications or the performing arts.ĬCD project PINFRA / 22133/2016 (upgrade to CCD) The CHIC project aims to develop, test and demonstrate a broad range of new processes, products and services that have a significant impact on the audiovisual and multimedia sectors. Therefore, we understand that a well developed sound environment built for the animation allows particularities and identity to the narrative artistic object.POCI-01-0247-FEDER-024498 CHIC (Cooperative Holistic View on Internet and Content) The sound is far from being redundant in relation to the image, in fact, it completes and transcends the narrative, providing a more complete experience (Rodriguez 2006, 276). For this, a support was sought mainly in the theories of Michel Chion and Angel Rodriguez, where we can highlight contributions to the knowledge of these correlations. We understand that sound has its narrative particularities, with elements intrinsic to its field of research, reinforcing the importance of its own study and the relevance in relation to image production.
In the methodology, we highlight some frames of the object, bringing an analysis of the relationships between image and sound. Animation is a space where all sound must be recreated, so it opens a rich field for investigation. In the narrative, imagery and sound styles, the animation deals with the representation of ideas and symbols in a unique way, bringing a sound environment rich in experiments, which deserves a critical look in order to bring important contributions to this field of study. The article is an analysis of the sound and musical space created for the brazilian animation The boy and the World (2013), produced by Alê Abreu.
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